Natures Offering

Natures Offering was inspired by an artist that I've been following, Bridgette Guerzon Mills. I'm drawn to encaustic painting because of its natural elements. It's the reason why I wanted to become a bee keeper...little did I know that the wax is the smallest portion of a bee harvest.

It took quite a while to complete because as usual my pieces develop over time. I almost never start out with a vision of a completed piece.

I started with canvas that I distressed using a razor blade & needle nose pliers. At first I was very delicate but as my confidence built I had a heaver hand with the razor. Then I added plasterwrap that is used in sculpting. The pieces were a little flimsy so I backed the canvas with more plaster. I added some oil painted accents along with some encaustic gesso & then I covered everything with encaustic wax.

I love anything rustic and raw looking. A couple of weeks ago my daughter came home for the weekend and we spent some time in the woods. She was able to 'shuck' the bark off of a dead tree and it worked perfectly for my hanger. The bark is very strange and spongy and I've been eying it for quite some time. I was so excited to have it and that weekend happened to be quite windy. I had quite a hard time getting my bark to the car without it blowing away in bits.

Special thanks to Jesika for shucking the bark and to Keith Stewart for saving me the hornets nest. I know he thinks I'm crazy but he's a fantastic enabler.

Shopping for MORE...

This past week was a beading break. I was in the studio & pricking my fingers endlessly until the air was blue...that's enough...time to clean up & just stop pricking my damn finger. I read articles from magazines that had been sitting in the book pile and I just enjoyed my time researching new products on-line. When I go through books & magazines I mark pages with tabs for future reference. I make notes in a little book I carry with me & when I have some time I go through the tabs & do in-depth research into the products & how they're used.Then it's all about shopping. Where can I buy some of these products... So that's what I've been doing...Shopping for future art paraphernalia. Hopefully I'll be able to show something I've done using TerraSkin paper or my new Ampersand Claybords...not today but hopefully soon.

Once again I used canvas that had been sealed with gesso. I then added molding paste using a stencil for texture. Painted with metallic paint & then I added another used, painted & melted dryer sheet. I really am addicted to dryer sheets and as much as I use them...the pile just never seems to go down. Every week I have another batch to add to the stack.

 

Mixed Media Journal Cover

This is a journal cover that's in the works. It takes quite a lot of time to dry from the raw canvas stage. As soon as it's cured, I'll stitch the bottom & insert the journal. I'm leaving the edges frayed because I really like the grunge look.

 

Monochromatic Challenge

The last challenge submission for the GOE Group was Monochromatic. I had no idea what I wanted to do and all I was thinking about was spring and purchasing seeds for our property. I was also consumed with bees...and learning all I could for our new apiary. All I could come up with was a flower...monochromatic was devastatingly hard for someone who loves colour. It was extremely hard to take a picture of the finished piece because it's 3D and the beads reflect from every angle.

I have details of the progress but it's way too many pictures.

I started out using flexi firm purchased from my local Fabricland.  Then I stitched stainless steel 20 gauge wire to the underside of all the petals. I gesso'd both sides, added cheese cloth & painted it with a gel matte medium & jacquard textile paint. Then I spread some molding paste over everything in a very random...scratchy motion. These are the brighter portions in the pictures because after you apply molding paste, those parts don't absorb the paint in the same way. After the molding paste was dry, I then applied paint & hand stitched for some added texture. Then I decided to add some encaustic wax over the whole top side of the petals. Once I did this the hand stitching actually changed colour & the embroidery was less visible. I wasn't really expecting that but I was reading a book called Hot Textiles...and that's what she did and I loved the effect. My pictures don't get as close as her professional pictures in the book so you really can't get a feel for that.

All the petals were stitched together and then nailed to a back board. I then worked on the center beading, adding sequins and stuffing in a donut shape so that the very center is actually recessed a bit for an added 3D element.

 Posting has become a very difficult task lately. Not only does one have to find time...but one has to find time where the computer is not in use. In my house this is becoming quite the task. Is it too hard to ask for a dedicated computer that has some speed to it. Is this growing world of computers one would assume that we could have fast service but I'm finding that it's getting slower & slower...and this "cloud" is bogging everything down. lol. I've been working on this posting in my spare minutes for days....crazy...In my next life, I will have a computer that works fast and I'll have all kinds of time for my studio.

If you want to see more pictures of the process...

Valentine ATC

This is an ATC that I did for the Group of Eight exchange last week. I was struggling for an idea so I decided to do the Valentine theme. I'm really not one for the commercial crap and pressure of these types of holidays so I decided to do "Love Life".  It started off as art cloth that I painted, beaded & waxed. I attached a piece of melted sheet protector in the shape of an L. Whenever I'm struggling for an idea, I always end of reaching for some of the art cloth that I already have on hand. I'm really into texture right now so it's a great way for me to start. Then everything seems to come together quickly. I already had the melted sheet protector as well.

Frankensteined

Well, I've been working for a week and getting nowhere. It started with an article from the Quilting Arts Magazine, February/March 2012 issue. The article is called Surfaces for Stitch in which this wonderful lady named Pauline Verrinder  gives directions on how to make art cloth from Gesso, cheesecloth & newspaper. I just loved this article and what she made was fabulous. The Group of Eight's (GOE), challenge for next quarter is to do something with an article in a newspaper. So naturally I though I had something that I could produce and be done my challenge way before the due date. Ha ha...that's not happening. I'm a very nervous person and always want to put my best effort on everything that I do and I was discussing this with the group and telling them how I really stress over the challenges. The group was very supportive and told me to just have fun and that I could make something as small as an ATC for submission. So I really thought I had this one in the bag. I started out so bloody positive but all I got was positively frustrated. I followed the directions but I guess I'm just not very intuitive when it comes to paints because you wouldn't believe how many layers I added to try and get the right combination. Then when all I got was a friggin mess...I'd paint over it with a solid colour in frustration. I couldn't get the layers to stay down like the article was describing. As soon as it dried the layers seemed loose...so out came the glue, more gesso or even molding paste was added. I ended up with nothing like the article. After my first try with nothing that resulted in anything like art cloth,  I asked my husband to read the article and see if I'm missing anything. He read the article and had a few suggestions. So on Friday night I came home again ready to adorn the apron and dig in again. I worked for over 3 hours and the next morning I went up to the studio and painted the whole dam thing metallic blue and started over. This article is going to do some traveling with me so that I can get some expert advice from my fibre friends. Maybe I'll have more to show but for now take a look at the below pictures. They are not in sequence so I've numbered them in the caption of where I started and what I ended up with.

This was my third piece that my husband says needs to be called "Frankenstein something" because of the stitching. The newspaper article is not recognizable at all. It was suduko puzzles and that's why they have numbers painted on the pieces.

This is a detailed shot. I think I'm going to frame this one anyways because it's growing on me a little. Maybe I just want to salvage something of my week.

This was my first try. Up close I really love the texture that I got...but it's nothing like the article. I wish I could show the article but I don't want to get in trouble with the copyright police.

This is the second one I did after my husband read the article and gave me his suggestions. We you can see some of the newspaper article in this one...but it just doesn't do anything for me at all. I even had the Golden glass bead medium out on this one. Up close you can see the beads and how they give it a little glitz. Again nothing like the original article from QA. You can see why I needed some help on it right. I was loosing sleep...and everything works in theory.

Surface Design Beginning

This weekend I had to finish my Artist Trading Card sized, surface design so that it can move on to the next person in the group. I seem to be having difficulty finding the time to work on my projects now that I'm back at work. I no longer have the luxury of creating when I feel like creating. So now it's down to a time crunch thing and I find that I feel as though I'm working because of the deadline rather than feeling inspired to create. I usually work on a project until I hit a roadblock and then I move on to something else while my mind mulls over the next step. I spent hours in the studio but a lot of that time was uninspired so I'm not completely happy with the turnout. But it must move on...so here's the picture.